It’s probably not news that COVID-19 is still a thing. In Australia, Victoria, New South Wales and South Australia are all in lockdown. We’re not allowed out except for the five basic needs; food, medical care, caregiving, essential work, and getting a vaccine.
In a little over two weeks I’m supposed to be going to the Gold Coast for a writers conference, but it’s unclear whether Queensland will even let my into the state – and that’s assuming our lockdown is lifted in time in order to leave Victoria. It’s not clear at this stage whether the conference will be able to go ahead, even if it’s moved online as it was last year.
It’s disappointing to be back here again, it’s disappointing to still be unvaccinated – though hopefully I’ll be on the way to that by the end of next week.
In the meantime, I’ve been able to work from home. I’ve been toiling away at various indoor projects, including piano practice, and a mural in my apartment. It’s based on a tarot card design by Matt Hughes for The High Priestess, a card that particularly resonates with me.
My latest writing project is editing a novel I’m planning to release in 2022. Part of a two-book series about a mother and daughter, as yet both are unnamed, but perhaps my editor will have some ideas in October when she has a look over it.
I was really looking forward to the conference, and to the break in sunny (or at least sunnier than here) Queensland. Perhaps I’ll be able to go somewhere in Victoria instead, or later in the year if all else fails. Until then it’s stay inside, wear my mask, do my bit, and hope the situation improves soon.
I’m a subscriber of an online literary magazine, 
Fleur Blüm 