Art, Artist Date, Astor Theatre, Christopher Marlowe, Detroit, Jim Jarmusch, John Hurt, Melbourne, Movie review, Music, Only Lovers Left Alive, Psychology, Relationships, Shakespeare, Squrl, Tilda Swinton, Tom HIddleston, William Shakespeare
I don’t think I got Jim Jarmusch until today. I saw ‘Only Lovers Left Alive’ at the magnificent Astor Theatre earlier today and it was glorious. The central characters of the film, Adam (Tom Hiddleston) and Eve (Tilda Swinton) are vampires. They are impossibly old, they are reclusive – in the world but not of it, they are artistic, and they are so, so in love. If I had only two words for this film, they would be languid, and restrained.
The film was beautifully realised in a number of ways, I will try to go each of them. Firstly, cinematographically, this film had some lovely themes. Adam, who lives in Detroit, is black – his clothes are black, his hair is black, his house is very dark, and all of the scenes in Detroit are dark. Eve on the other hand, who lives in Tangier, is white – her clothes are pale, her hair is pale, her house is pale, even the scenes in Tangier, which are at night, are much paler in comparison.
The characterisation is lovely too, Adam is a reclusive, musician who is pretty grumpy, fascinated by the world of science and weary of the zombies (humans). Eve is light, but thoughtful, she reads every language, she is fascinated by the world of humans and has a zest for existence. They are the quintessential yin and yang, and they were small charms of the other’s colours as a token of their difference and their love.
Thirdly, the acting by Swinton and Hiddleston is delightful, much of which is without dialogue. The whole film is quite minimalist in some ways, but the affection between the two leads is very real. I saw an interview with the two of them, along with Jarmusch and John Hurt (who plays Christopher Marlowe) and it was clear that the affection between them was not only on screen. Their ability to portray a love which is literally ageless but still just as potent was truly remarkable – their complete comfort with each others’ presence while still having a burning desire for the other were equally believable. Together, they achieve a level of sexiness that is rarely seen, and is heightened by their never consummating it on screen.
Music also plays a huge part in the effect of this film. I commented to a friend as soon as the credits were finished that I must get hold of the soundtrack immediately. Most of the soundtrack is by Sqürl, Jim Jarmusch’s band. It manages to be moody and atmospheric while also being able to drive the action – lots of wailing guitars and slow beats, giving the film a sort of timeless urgency.
I have to give big ups to Jarmusch for this film. Having seen ‘Dead Man’ and finding it beautiful but confusing, I was ready for this movie to be somewhat inaccessible, but I was pleasantly surprised as I let the film wash over me. The Marlowe as Shakespeare conspiracy theory is interesting, but probably not something I want to go in to here, I suspect it may have created some tension between Jarmusch and Hiddleston, who has very successfully performed Shakespeare (see also this post). I could be wrong, but the interview I mentioned before includes some interesting body language between them when the interviewer asks about the issue. It is a credit to everyone involved that with so much to work with and such talented people on hand the film is so restrained, so understated, and that this is one of the things which makes it so great.
Overall, it gave me some excellent food for thought. A poignant and thoughtful look at love, life, humanity, pleasure, despair and death. I give it 4.5 out of 5 stars.